That’s great if you’re pitching a children’s show. Day time programming for example consists mostly of family friendly content. Your proposal should also fit into the channel’s programming. So it doesn’t make sense to pitch your multi-million dollar project to someone who doesn’t have the cash to finance it. A day time commissioner has a lower budget at his disposal than a prime time commissioner. Choosing the right one can make a big difference. When submitting your proposal, you may be able to choose to which commissioner you send it. Is it formal or familiar? Is your channel’s audience young or old and how does it change the tone of their content? Make sure you know the channel you’re pitching to and adjust your proposal accordingly. In order for your proposal to be effective, you have to appeal to these core values.īefore you write your proposal, analyze the content, tone and audience of the channel the proposal is aimed for. Channels have different core values and target audiences. To get your idea noticed, you need to do more than that. You change the name in the description to the BBC and send it to them, right? Bad idea. Let’s say that you submitted your idea to Channel 4. Tailor your description to the right channel and person This also applies when you send in a script: the commissioner will first look at your title, logline and the first page of the description. Be sure to focus on your core idea: your line might be very polished, but it will be of little interest if it doesn’t get your idea across. Think of a short title (no more than 32 characters if possible) and describe your idea in one line – also called a logline. One that you can sum up in one sentence and the audience gets straight away.’ ![]() ‘The best ideas, historically and at present, are the simplest ideas. To stand out amongst those seems daunting, doesn’t it? Okay, let’s start with probably the most important point. In order to get your idea produced, each of these elements needs to hit the spot just right. Sometimes you will also be asked to provide the first part of the script and/or a show reel. Normally, this consists of a title, a logline and a description (sometimes also called a synopsis). So how do you get your idea to be broadcast on television? Well, you send in a proposal. For example, Netflix only accepts ideas and scripts from literary agents or from partners they already have a relationship with. Most don’t want unsolicited ideas, meaning ideas from individuals without any professional background. So you’ll need someone who has the connections to pitch the idea for you. I googled every American channel for their idea submission page, but found none. ![]() There you will often need an agent who’s going to introduce your idea to the showrunner (the series’ producer). On the channel’s website, you can often find where to send your idea and how. So it’s to them that you have to pitch your idea. They can either be responsible for a specific time frame and day or for a specific genre. In the UK, every TV channel has a channel controller who works with multiple genre commissioners’ editors. Let’s talk shortly about how commissioning works in the UK and the US. ![]() Consider making a sizzle reel or taster tape Get noticed at film and television festivals Find a production company to collaborate with Craig Viveiros (“Rillington Place,” “And Then There Were None”) directed the episodes. The Williams brothers are executive producers on the series along with Two Brothers Pictures head of drama, Christopher Aird (“Baptiste,” ”Liar,” “Clique:) and Sarah Hammond (“Fleabag,” ”Back to Life”). Natasha Romaniuk (“Fleabag,” “The Split” Season 2) is also a producer on the series. “Angela Black” is a Two Brothers Pictures (an All3Media company) production. I feel very honored to have played Angela and I’m thrilled to be able to share ‘Angela Black’ with viewers in the US on Spectrum.” “Not only have the William’s brothers written a brilliant, edge of your seat thriller but also a story with so much heart that I know will connect with many. “From the moment I first read Jack and Harry’s poignant and timely script, I was passionate about playing Angela,” Froggatt said in a statement. Harry and Jack Williams (“The Missing,” “Fleabag”) wrote the series. Lena Headey to Star in Spectrum and AMC’s ‘Beacon 23’ Sci-Fi Thriller Series
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